For events & happenings in our Berlin store, please go here
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Kaboom Karavan performs as a trio at the legendary Les Atelier Claus in Brussels.
Event page
Official listening session of Marcus Fjellström´s final work - “The Last Sunset of the Year”, which came out on Miasmah this autumn. Music originally made for the cult TV-Series “The Terror” (S1). The album is compiled by show creator Dave Kajganich together with Erik K Skodvin over the last 5 years.
Includes short talk and Q&A with Erik K Skodvin
after Berlin
Both Miasmah and Sonic Pieces will be present at the third edition of the independent label market, Sonic Matters - this December 15th.
Daylight Music 384 : Deaf Center, Otto A Totland , Sumie
Daylight Music 383 : Deaf Center, Erik K Skodvin , Sumie
Live performances by Erik K Skodvin, Margaret Hermant, Sylvain Chauveau
+ screening of Jóhann Jóhannsson’s film End of Summer
Upcoming Miasmah artist Olga Anna Markowska performs at Before Ambientalny
Sonic Pieces / mi - so editions will be present at this year´s art book fair in Basel, Switzerland
Opening hours
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Wednesday, 12 June : 6pm – 10pm
Thursday, 13 June : 3pm – 9pm
Friday, June 14 : 3pm – 9pm
Saturday, June 15 : noon – 6pm
Exhibition with F.S.Blumm, Dagmar Weiss, Stephane Leonard
OPEN : Wednesday - Sunday, 15 - 19h
Friday, 17th May, 19h Vernissage
Saturday, 25th May, 17h Quasi Finissage
Sunday, 26th May, 15h Finissage
in-store concert @ mi - so
LTD to 15 seats. Reservation only (Max 2 seats pr. reservation!)
RSVP : events@sonicpieces.com
Sylvain will be performing minimal pieces from his last album on guitar and piano.
in-store concert @ mi - so
LTD to 15 seats. Reservation only (Max 2 seats pr. reservation!)
RSVP : events@sonicpieces.com
Sylvain will be performing minimal pieces from his last album on guitar and piano.
Official opening of exhibition of graphic scores, with an introduction by the artist at 18h.
“Classical music notation from Western countries is used only by a minority of musicians around the world. There are other ways to explain compositions to performers. One of them is to create scores with an original, personal way of giving instructions: visually, or just verbally, or both. They are sometimes called graphic scores.
I’ve been writing graphic scores since 2007. My notations usually give an almost complete freedom to the performers. They are meant to be a source of inspiration for instrument players, driven by a picture or a few words. They could be seen as just a drawing, or a collage, or a graphic creation. But they are musical scores: an invitation for other musicians to perform a piece of music inspired by this notation, as they imagine it should be.
The selection made for this exhibition collects scores on transparent papers from the years 2014-2015.” — Sylvain Chauveau